Eurovision 2025: Grand Final

Eurovision 2025 – Grand Final 

The Eurovision 2025 Final will be held on May 17, 2025, in St. Jakobshalle, Basel. There will be 26 total performances. Switzerland (hosts) and the ‘Big Five’ – France, Germany, Italy, Spain, and the United Kingdom are all automatically through to the Grand Final, while the remaining 20 contestants are split between the two semi-finals. Let’s get to know the running order, participants, as well as some interesting facts and history about the Eurovision Song Contest’s Finals. 

 

Most Important Info

• Eurovision Final Location: Basel, Switzerland
• Final Venue: St. Jakboshalle
• Eurovision Final Date: May 17, 2025
• Final Start: 8 p.m. UK time
• Participants: 26

 

Running Order in the Eurovision 2025 Grand Final

The running order for the Eurovision 2025 Final is down below. The position in the order is determined by the show’s producers. 

 

The Structure of the Eurovision 2025 Final

On May 17, the Eurovision Song Contest 2025 will culminate with the Grand Final. Basel’s St. Jakboshalle will host the 26 best performances in one electrifying night. 

Each act brings its own unique flair to the stage and lasts around 3 minutes. Keep in mind that singing is live, but the music (even with instruments) is pre-recorded. The ESC producers determine the running order to ensure a certain flow that’s enjoyable for both live audiences and TV viewers.

Once the Eurovision final broadcast starts, there will be featured interval acts, including Nemo, last year’s winner and local Swiss talent.

The hosts for this year are Hazel Brugger, Michelle Hunziker, and Sandra Studer. 

 

Voting in the 2025 Eurovision Final

Voting is one of the most exciting features of the Eurovision Grand Final. In 2025, the same voting system is still in place, with professional juries and the viewing public contributing 50 % to the final result. Here’s how it works:

• Jury vote – a panel of select music & entertainment business professionals from each participant nation casts their votes 1-8, 10 and 12.
• People’s vote (Televote) – viewers cast their vote by phone (SMS, calling or the official Eurovision app). The point distribution is the same as with juries.

Worth noting: all 37 countries participating in Eurovision will cast their votes during the Grand Final. The votes of countries not participating in Eurovision will be added together and announced as the “rest of the world”. The rest of the world only impacts the televoting, as there’s no jury.

After the show, there’s a 15-minute break for voting. Once that’s done, votes are counted and then announced. Jury votes are called first, country by country. Then, the televoting results are called, also one by one, adding to the suspense and creating a thrilling atmosphere right down to the wire.

 

Eurovision 2025 Grand Final – All Participants

Here is the list of all participants in the Eurovision 2025 final: 1. Norway, 2. Luxembourg, 3. Estonia, 4. Israel, 5. Lithuania, 6. Spain, 7. Ukraine, 8. United Kingdom, 9. Austria, 10. Iceland, 11. Latvia, 12. Netherlands, 13. Finland, 14. Italy, 15. Poland, 16. Germany, 17. Greece, 18. Armenia, 19. Switzerland, 20. Malta, 21. Portugal, 22. Denmark, 23. Sweden, 24. France, 25. San Marino, 26. Albania.

Below you can find information about all the countries and their songs.

United Kingdom: Remember Monday – “What the Hell Just Happened”

Remember Monday is the first girl band to represent the UK in Eurovision since 1999. It’s a trio of singers: Lauren Byrne, Charlotte Steele, and Holly-Anne Hull. Remember Monday rose to prominence after appearing on The Voice in 2019.

Their story is one of persistence and determination. After leaving work and fully focusing on music in 2023, they quickly gained traction in various parts of the UK. Finally, they got the nomination for the 2025 Eurovision Song Contest. 

The song “What the Hell Just Happened” is co-written by Thomas Stengaard (author of “Only Teardrops” – 2013 ESC Winner) and captures the energy of an unforgettable night out. Musicians praise the trio’s ability to nicely mix country-pop & power-pop elements and the composition, which includes guitar riffs, dramatic piano crescendos and almost everything in between. Some experts claimed it’s a fusion of Queen and Elton John. With praise like this, Remember Monday should bring the thunder to Europe’s biggest stage.

As part of the ‘Big Five’, the UK automatically qualifies for the Eurovision Grand Final and, according to experts and insiders, is a contender for TOP 10 positions. However, the UK has had mixed results in recent Eurovision contests, so even a unique and powerful performance might be overlooked. Let’s wait for the Grand Final and see how Remember Monday does!

 

Italy: Lucio Corsi – “Volevo essere un duro”

Lucio Corsi is a 31-year-old, experienced and stylish singer from Italy. He started making music as a teenager and, after finishing school, moved to Milan to pursue his dream of becoming a star.

He performs pop-rock and has received recognition not only for his on-stage performances. Over the years, Lucio Corsi has been seen in fashion giant Gucci commercials and has participated in numerous TV shows. 

Lucio Corsi released his first album in 2015. Although the album received praise in the underground scenes, it didn’t get much traction with mainstream audiences. His 2nd album, “Bestiario”, was more of a hit, charting in 82nd position of the TOP 100 most popular albums. The biggest success before Eurovision for Lucio Corsi was his 2020 album, which reached the 23rd position on the charts.

Working with various labels and studios, Lucio Corsi has amassed a solid discography and made a name for himself in the Italian-speaking parts of Europe. 

He actually finished 2nd in the Sanremo festival, but since the winner decided to skip Eurovision, Lucio Corsi stepped up and will represent Italy with “Volevo essere un duro”. The song is about his teenage struggles and the goal of finding oneself’s true calling. Experts and odds see Italy as a solid contender that should finish outside of the TOP 10.

 

Spain: Melody – “Esa Diva”

Spain has seen a drought in Eurovision victories since their back-to-back supremacy in 1968 and 1969. This year, they’re sending a 34-year-old singer, Melody, with her song “Esa Diva”. It’s a bold and empowering anthem, continuing the theme of similar tracks coming to the ESC from Spain. The Diva is used as a symbol to portray feminine strength, authenticity and resilience.

Melody is an established artist in Spain, growing from a child star to a famous adult singer domestically. Her song “El baile del gorila”, which she released at only 10-years-old was one of the biggest summer hits in Spain.

The land of Flamenco will bring their usual flare to the stage, displaying a three-act stage. This particular element seemed to have improved their odds before the contest. Bookmakers and ESC experts say that Spain could contend for mid-table positions thanks to the flamboyant presentation of “Esa Diva”. 

Since Spain is part of the ‘Big Five’, they automatically qualify for the Eurovision Final. It’s interesting to know that in the national selection, Melody ranked 1st amongst viewers but only got 3rd place from the jury. Still, this was enough for Melody to earn a ticket to Switzerland and a chance to represent her country.

 

Switzerland: Zoe Me – “Voyage”

Over the past 5-10 years, Switzerland has become a perennial contender for top Eurovision positions. Once an afterthought, now an ESC powerhouse, Switzerland earned the chance to host this year’s show thanks to Nemo and “the Code”. For 2025, the performance is very different to what we saw last year. 

Hosts have delegated a young starlet, Zoë Më, a Basel local. She will perform “Voyage”, a soft and heartfelt ballad in French. The message is about emotional vulnerability and love, which is told through the metaphor of a journey (Voyage). 

Zoë Më is a unique artist, able to blend various style elements into one harmonious unison. She mixes modern pop music with chansons and lullabies to broadcast a very sincere emotion, aiming at touching the hearts of many. The hosts are keeping a bit of mystery at what we’ll see in the Eurovision 2025 final. In one interview, Zoë was heard hinting at aspects “never been done” before in Eurovision history. Currently, “Voyage” is getting picked for the TOP 10 by many ESC experts and insiders. However, these odds can change come Semi-Finals. 

 

Germany: Abor & Tynna – “Baller”

It doesn’t get more multicultural than this. Abor & Tynna are a Hungarian brother and sister duo by ethnicity, born and raised in Austria, set to represent Germany in the 2025 ESC.

Abor & Tynna are known for their pop, hip-hop, and electronic music. They were introduced to music at an early age, as their father, Scaba Bornemisza, was a cellist in the Vienna Orchestra.  

The brother and sister released their first song released their first song in 2016, gaining enough popularity to receive a call from a producer offering them a chance to visit a recording studio. After gaining enough experience, they decided to participate in the German Eurovision selection. They captivated the jury’s hearts and the televoting, earning enough praise to punch a ticket for Basel. 

Don’t get misled by the title “Baller”, as the song isn’t about the flashy and glittery lifestyle of a star. In truth, it’s about heartbreak and moving on after a painful breakup. The catchy pop, urban track has a powerful chorus that’s definitely going to appeal to a club-going audience. Striking visuals and commanding stage presence by Tynna might be just what Germany needs to get a lot of televotes. 

Abor and Tynna are automatically through to the Grand Final because Germany is a part of the ‘Big Five’. Current odds and expert previews position them around the mid-table or slightly below (around TOP 20). 

 

France: Louane – “Maman”

The French are bringing in the big guns for 2025. After Barbara Pravi and Slimane came very close to an ESC victory in recent years, Louane is one more performer with a resume and a performance worthy of a Eurovision win.

Anne Edwige Maria Peichert is a 28-year-old performer known by her stage name, Louane Emera or simply Louane. With French and Brazilian roots, Louane has been a star for a very long time, reaching the semi-finals of France’s The Voice in 2013. The following year, she appeared in the film La Famille Belier, for which she won a César Award for Most Promising Actress.  

The multi-talented performer is going to perform a touching tribute to her mother, titled “Maman”. She sings about her longing and how becoming a mother herself has allowed her to heal after her own mother succumbed to a long illness in 2014. Early polls and bookmaker odds position Louane as one of the biggest favourites.

A touching song, powerful vocals and an authentic feel could be just what France needs to get the opportunity to host ESC 2026!

 

Iceland: Væb – “Róa”

One of the bigger surprises from the 1st Semi-Final was the progression of the Icelandic Brother Duo of Væb. Even though they started the show and were the first to perform, their energetic entrance wasn’t overshadowed by others later in the show. Their song “Róa” (Row) had a similar vibe to a notable Irish performance Jedward and their song “Lipstick” from 2011.

Flashy suits, a nice flow and great staging delivered an amazing start to the ESC of 2025. Despite the flashy appearance of the Icelanders, odds at most bookmakers saw them with very little chances of advancing to the Grand Final. Yet, this is why people love Eurovision and expect surprises every year. Iceland started a redemption ark by advancing to the ESC final, after failing to do so in 2024!

 

Poland: Justyna Steczkowska – “Gaja”

Age really is just a number, especially if you’re Justyna Steczkowska. The Polish singer is the oldest competitor this year but the energy level she brought on stage was arguably the highest of the lot. Poland was seen as a bit of an outsider and a dark horse pick for the Eurovision Final by many books. Nevertheless, the experienced diva delivered a show-stopper and stunned with amazing dance moves and powerful vocals.

This was enough to punch a ticket for the Grand Final, turning around their fortunes from 2024 when artist Luna failed to advance past the semis.

 

Estonia: Tommy Cash – “Espresso Macchiato”

Tommy Cash lived up to the hype as one of the odds favourites from Semi-Final 1 and advanced to the Eurovision Final. The quirky Estonian shocked everyone when a ‘streaker’ jumped on stage and started performing with him, seemingly catching the artist off guard. However, this was a secret trick that Cash had up his sleeve. The ‘crazy fan’ was actually part of the performance, adding to the laughs, before being pulled off of the stage by the singer’s private security/dancing crew.

The song “Espresso Macchiato” is something that you can expect to see every Eurovision. These out of the box, funny performances come to the contest every year and do have a wide range of fans across the continent. However, odds for Tommy Cash fell a bit after the Semi-Final, yet bookmakers and experts still see him ending up in the top half of the table.

 

Ukraine: Ziferblat – “Bird of Pray”

Since Ukraine was announced as the final and 10th finalist, their fans and experts probably sighed with the biggest relief. Evaluated as a TOP 10-worthy performance before the contest, Ziferblat was left biting their nails until the very end of the show to see whether their dreams would be shattered or not.

Turns out that the unique, flashy and stylish performance of their song “Bird of Pray”, touched the hearts of enough voters. A very unique presentation for TV viewers made it seem like a washed out, blurry vision, helping Ziferblat stand out. In the Eurovision finals, bookmakers predict that Ukraine could have a case for the TOP 10, but with so many surprises in the Semi-Finals already, you never know.

 

Sweden: KAJ – “Bara bada bastu”

Sauna…. That’s all that needs to be said, really. The Finnish/Swedish trio of KAJ were projected as the odds frontrunners before the contest and remain in such position after the first Semi-Final. If anything, listings and social media reaction show that their odds might’ve improved. Their sublime performance had everything fans could want: a nice stage presence, gags to make you smile, background characters interacting with decorations and, of course, a memorable melody.

An effortless, light song with a catchy hook is something that most of us can hum while washing the dishes or standing in the shower. That’s what the Swedes were going for, apparently. And if on May 17 Europe is ready to smile and heat up their saunas, KAJ is going to be a strong contender for the top spot.

 

Portugal: Napa – “Deslocado”

Portugal fans can probably laugh in the faces of bookmakers and every media person. Why? Because they wrote Madeira’s natives Napa off as one of the performances with the lowest odds overall. Now here we are with the melancholic alt-rock tune in the Grand Final. Even though the performance was quite minimalistic, the authentic charm and the voice of Napa’s frontman was reminiscint of yet another successful Portuguese from the Eurovision – Salvador Sobral.

“Desclocado” sings about longing for home and trying to belong – topics that are relevant to many Europeans and people around the world. Since they reached the final against all odds – a word of advice – don’t bet against Portugal too early. Jokes aside, “Deslocado” odds have improved a bit before the Eurovision Final but experts still see them finishing in the bottom half of the order.

 

Norway: Kyle Alessandro – “Lighter”

Norway had one of the more straightforward and uneventful path to the 2025 Eurovision Grand Final, it seems. Kyle Alessandro came, saw and conquered the stage. His energetic and flamboyant performance of “Lighter” stood out, even though the song’s melody and tempo have influences from the likes of Ruslana’s “Wild Dances”.

So, with nothing out of the ordinary, Kyle Alessandro’s stock didn’t move in the bookmaker’s catalogues. Experts see the youngest contestant finishing in the bottom half of the table.

 

San Marino: Gabry Ponte – “Tutta l’Italia”

Probably for the first time ever, a DJ, and not a live singer fronted a Semi-Final performance and got through to the 2025 Eurovision Final. San Marino called the famous Italian DJ Gabry Ponte to represent them, and he delivered. The representative of the micro nation performed the main tune of Sanremo 2025 which has already amassed millions of views on YouTube and equally high figures of streams on audio platforms.

Gabry Ponte’s “Tutta l’Italia” energised the crowd and the experienced disc jockey likely had not just the 12,000 at the St. Jakobshalle jumping but also forced TV viewers to get off of their seats. Yet, some fans and experts criticised that Ponte – the frontman isn’t actually singing, and the vocalists aren’t getting enough recognition. This led to their odds falling slightly after the Semi-Final, now seeing San Marino only barely squeezing in the TOP 20.

 

Albania: Shkodra Elektronike – “Zjerm”

All fans have to aggree with this one – in the first Semis, Shkodra Elektronike had by far the most unique song from a musical standpoint. They advanced and remain a threat for TOP 10 positions in the Eurovision final, according to most bookmakers and ESC fans.

The Albanians combined electronic rhythms, mystical elements and folk motives to create a captivating, enchanting performance that’s hard to forget. Even though the melody seems a bit more complex to hum or repeat whenever you’re by yourself, the performance value also matters greatly, and Shkodra Elektronike definitely shines in this regard.

 

The Netherlands: Claude – C’est la vie”

Smooth, stylish, elegant and definitely unique. These would be the best words to describe one of 2025 Eurovision favourites – Claude. Even though he represents the Netherlands, the Congo-born artist does most of his song in French, adding a layer of sophistication. Some experts said that his vibe reminded them of Stromae’s hit “Papaoutai” which is high praise.

Probably no one even doubted that Claude would advance to the Final. The question for the Dutch is how far can he go there? As of right now, projections place him in the TOP positions, competing for the win.

 

Latvia: Tautumeitas – “Bur man laimi”

Latvia surprised a lot of fans and Eurovision experts by advancing from the 2nd Semi-Final. The enchanting performance was full of Baltic witchcraft, and managed to beat the odds and progress. “Bur man laimi” stood out from all other performances thanks to innovative staging and a show that was full of Baltic folk elements. 

Changes in tempo and a unique rhythm of the song probably pleasantly surprised audiences from Europe, but they were very familiar to Tautumeitas’ fans in Latvia, who adore the all-girls band for their style and showmanship. In the Grand Final, the odds portray Tautumeitas as a true underdog. However, since they shocked Europe once, maybe they can do it again and bring home a solid result. That would be well deserved!

 

Armenia: Parg – “Survivor”

Parg was another artist who defied the odds on Thursday evening by punching a ticket to the 2025 Eurovision’s Grand Final. He was seen as a wild card pick but more than lived up to expectations. An electrifying and dynamic stage presence definitely has appeal, but Parg has enormous shoes to fill as last year’s entrants, Ladaniva, managed an 8th-place finish – Armenia’s best since 2016.

Fans praised the energy that Parg brought to Basel, combining a strong vocal performance with fireworks, a moving track on stage and impressive makeup as well. His song is about resilience and surviving against all odds. According to oddsmakers, this is what the Armenian has to do once again on Saturday to avoid finishing near the bottom.

Austria: JJ – “Wasted Love”

No surprises here. One of the favourites in the books and in the eyes of many Eurovision Song Contest experts, Austria’s very own JJ got through and will perform in the 2025 Grand Final. Once the young singer took the stage, all eyes were on him. The performance was great for those in the live audience, but Austria brought many tricks to appeal to TV audiences. The performance was primarily broadcasted in black and white, providing a similar feel to the very well-received 2019 Robert Eggers film “The Lighthouse”. 

JJ has an incredible vocal range, which allows him to bring opera flair to the mainstream stage. The staging and the song are theatrical, immersing listeners from the first note to the final seconds. Fans hope that the Austrian’s talent doesn’t go to waste like the “Wasted Love” he sings about, and JJ will meet high expectations to win the 2025 Eurovision Song Contest. 

 

Greece: Klavdia – “Asteromata”

Even though Greece’s name was called as the last, 10th finalist, and fans were kept on edge, Klavdia proved to be worthy of the biggest stages. A ‘deeply emotional ballad’, as the artist describes, was delivered through the form of a conversation between a mother and her missing/lost child. Opposite to what we’re used to seeing from Greece in the ESC, Klavdia offered a minimalist stage presence, directing all of the focus on her vocals, the song’s story and emotional value.

That was a great call, and the Greek starlet will have a chance to, once again, impress millions of fans at home. Even though the song lacks a melodic or rhythmic hook that people could sing at home, we’ve seen way too many such ballads outperform club boppers in the Grand Final. That’s what Greece’s supporters will expect on Saturday. Currently, odds and experts see her hovering around the TOP 20.

 

Lithuania: Katarsis – “Tavo akys”

Lithuania continues their streak of reaching the Grand Finals for the 5th year running. The melancholic alt-rock anthem “Tavo akys” definitely stood out from the pack and secured Katarsis a berth to the ESC 2025 Grand Final on Saturday. The group’s lead vocalist, Lukas, stole the spotlight with his vocals. Accompanied by a moody, dark-ish grey stage setting, Katarsis likely appealed to those ESC fans who are eager to see unique musical performances rather than hearing one pop anthem after another. 

Fans and experts praise that whether they’re on stage, in the Green Room or doing an interview, the Lithuanian four always stay in character, contrasting to almost anyone in Basel this year. For the Grand Final, experts and odds see Lithuania as a dark horse pick that could appeal to many audiences that are usually neutral and finish even higher than Mid-Table.

 

Malta: Miriana Conte – “Serving”

Sometimes, controversy isn’t a bad thing when you’re trying to win the public vote. At least that is what Miriana Conte proved by getting the nod for the Grand Final with her sometimes chaotic but energetic performance of “Serving”. Even though the EBU forced her to change the title of the song, it didn’t take away the underlying power that “Serving” has. 

An urban staging, up-tempo melodies and energetic dancers around Miriana Conte made the performance memorable. The Maltese artist sings about boldness, self-confidence and freedom of expression and does it in an appealling fashion. For the Grand Final, bookmakers still see Malta as a solid pick for the TOP 10. The issue for Mirana Conte is balancing favour between juries and televotes. The latter seems much more intrigued by “Serving”, while juries could be more sceptical.

 

Denmark: Sissal – “Hallucination”

Sissal went under the radar a bit, considering a lot of the spotlight was stolen by other female performers who dealt with controversies (e.g. Malta & Finland). Nevertheless, Sissal redeemed Denmark after 2024, and the Danes will see their representative perform in the 2025 Grand Final on Saturday. Experts and music lovers appreciated how the staging, music and Sissal’s vocals worked well together to tell the story of what her song “Hallucination” is about.

Even though it’s a dance-pop song, “Hallucination” has a deeper meaning about meeting someone and connecting so well that it feels surreal, hence the title. For what it’s worth, if you were to look at the odds, Denmark is seen finishing in the bottom half of the table. However, we all know that the results can be unpredictable, and Sissal could be one of those who surprise you.

 

Luxembourg: Laura Thorn – “La poupée monte le son”

Even though she’s only 25 years old, Laura Thorn is not just a singer but also a music teacher. Her students will definitely pay more attention to her classes now that she’s a finalist in Eurovision. Before the 2025 Eurovision Song Contest, no one had high hopes for Luxembourg. Even though this year’s entry is a homage to Luxembourg’s ESC-winning entry of 1965, such tunes usually end up overlooked by fans.

That was the opposite of what happened on Thursday, as Laura Thorn gave Luxembourg their first Grand Final appearance since 1993 (worth mentioning that they were absent from the Eurovision from 1994 until 2024). Fans praised the unique and stylish staging of “La poupée monte le son”, portraying the singer as a true doll. For the Grand Final, the music teacher could be looking at a mid-table finish if you were to look at the odds. 

 

Israel: Yuval Raphael – “New Day Will Rise”

Israel was considered one of the early favourites and lived up to that name by reaching the 2025 Eurovision Grand Final. Yuval Raphael displayed her impressive vocals and multilingual skills and shared deeply personal and heartbreaking experiences on stage. Even though it isn’t a song that everyone can sing while doing the dishes, Yuval Raphael has a lot of fans from various corners of Europe and is hailed as one of the dark horses for the TOP 5 positions in the Grand Final.

The main factor that holds back Israel is the inequality of favour from juries and televoting. Juries are hesitant to give Israel many points because of political reasons. However fans at home could back Israel all the way, so Yuval Raphael’s position largely depends on just how much love Europe casts via SMS, phone or Eurovision App.

 

Finland: Erika Vikman – “Ich komme”

Provocative and truly one of a kind. That’s the best way to describe Finland’s Erika Vikman and that’s why fans voted her to the Grand Final on Saturday. Scandalous, unapologetic, full of positive feminine energy and light-hearted Erika Vikman goes airborne, rides the microphone like she stole it, and in the 3 minutes while “Ich komme” is playing, uses as many fireworks as China during the New years. 

“Ich komme” is a bold double-entendre with a positive underlying message, speaking to women and encouraging to embrace their human nature and desires. Everyone who tries to censor Erika Vikman only adds fuel to her fire. And the more fuel she has, the harder she performs, ultimately improving her chances. Fans, experts and bookmakers see Finland ending up in the TOP 5, but with so many strong performances in this year’s contest, the artistic blonde will have to bring even more energy on Saturday.  

 

Betting is only available to participants aged 18 years and over. Please bet responsibly. BeGambleAware.org